Was That a Ninco slot car track in Rush (film)?

Surprised this was't posted already... At one point in the film, the James Hunt character is shown in a despondent mood and for a few brief seconds playing with a 1/32 slot car set - a fairly obvious allegory is being made but I'll spare you the details if you haven't seen it or can't guess.
Anyway it looked to be a modern Ninco set (never mind the anachronism - it works as a plot device) - did anyone else notice? Confirm?
It's a great movie by the way. Somewhere between a 4 and 5 star movie for me. Purely as a plot driven movie - I could probably give it a 5. It has solid acting, particularly the Lauda character, good paced script and typical high production value of a Ron Howard flick. Even if I could somehow dismiss having a basic knowledge of the events - it's probably still fairly predictable - but sometimes that's alright.
However as a 'racing film' I would have to drop it to 4 stars. My gold standards are of course Frankenheimer's Grand Prix and McQueen's Le Mans. Where this movie fails and those succeeded is in the the purity of the racing footage. Where GP and LM have loooong sweeping panaromic shots that allow the viewer to absorb the panoramic action on a sustained basis (sometimes in slow motion), Howard's Rush succumbs to the modern penchant for quick quick chop chop jerk jerk the shots and edit edit edit... tragic really. In addition to the McClaren and Ferrari of our 2 protagonists we get the occasional shot of Andretti's JPS Lotus or the novel 6-wheeler. Yes you do get a sense of the mid 1970s F1 environment - but only a sense - it's not quite immersive enough. I bet there are almost no shots of racing action that last longer the the number of seconds you can count on one hand. And most are quite a bit quicker. Worse - is the deliberate shaking of the camera shots at times - an attempt to create sense of a car going over a rough (think Baja 500) surface perhaps? More likely a common tactic to hide some of the CG effects. Directors often use rainy weather, darkness and shake camera effects to hide the more obvious CG in films and Rush is no exception. Garner has stated they'll never make a racing film as good as they did in the days of GP and LM due to constraints of the modern Hollywood era - I'd have to agree. Sound effects are top notch. While I'm not an expert it did seem to have a lot of technical accuracy and faith to the 76 F1 cars and so on.
I highly recommend it - go see, enjoy! (And let me know if you spot the Ninco layout too!?)
Anyway it looked to be a modern Ninco set (never mind the anachronism - it works as a plot device) - did anyone else notice? Confirm?
It's a great movie by the way. Somewhere between a 4 and 5 star movie for me. Purely as a plot driven movie - I could probably give it a 5. It has solid acting, particularly the Lauda character, good paced script and typical high production value of a Ron Howard flick. Even if I could somehow dismiss having a basic knowledge of the events - it's probably still fairly predictable - but sometimes that's alright.
However as a 'racing film' I would have to drop it to 4 stars. My gold standards are of course Frankenheimer's Grand Prix and McQueen's Le Mans. Where this movie fails and those succeeded is in the the purity of the racing footage. Where GP and LM have loooong sweeping panaromic shots that allow the viewer to absorb the panoramic action on a sustained basis (sometimes in slow motion), Howard's Rush succumbs to the modern penchant for quick quick chop chop jerk jerk the shots and edit edit edit... tragic really. In addition to the McClaren and Ferrari of our 2 protagonists we get the occasional shot of Andretti's JPS Lotus or the novel 6-wheeler. Yes you do get a sense of the mid 1970s F1 environment - but only a sense - it's not quite immersive enough. I bet there are almost no shots of racing action that last longer the the number of seconds you can count on one hand. And most are quite a bit quicker. Worse - is the deliberate shaking of the camera shots at times - an attempt to create sense of a car going over a rough (think Baja 500) surface perhaps? More likely a common tactic to hide some of the CG effects. Directors often use rainy weather, darkness and shake camera effects to hide the more obvious CG in films and Rush is no exception. Garner has stated they'll never make a racing film as good as they did in the days of GP and LM due to constraints of the modern Hollywood era - I'd have to agree. Sound effects are top notch. While I'm not an expert it did seem to have a lot of technical accuracy and faith to the 76 F1 cars and so on.
I highly recommend it - go see, enjoy! (And let me know if you spot the Ninco layout too!?)