Ketchup
After a mind blowing summer here in the Pac NW, I finally addressed the debris field on the slot bench. Typically I push away during the summer and holiday seasons. Thats not to say I wont nick-nack-padiwack some miscellaneous slot tasks, but generally there's no particular front burner project. Most of my small tooling resides in the cave, so I do have to go in there from time to time anyway. Hanging the "Gone Fishing" sign is a great way to keep your hobby fresh.
Eventually there's a multi car pile up in turn 4, and it's time to get out the buffer. A messy, but exacting task; that actually requires an uninterrupted period of in-depth concentration. One has to stay on the step you're supposed to be on, and complete it, before moving on; other wise your work will be cloudy or show mottled patches. It's simply the accumulation of a minute spent here and there, skimming and filling in bulk material, across a summer. At some point it all winds up in 1200 and I have to get cracken'. The important part is remembering to find and polish the windshields while you're worken through the grits. duh




A scrap pile '63 Splitty. I fished this out of my bag of Olive culls as an extra credit project. One of these pillars was repaired, but I'm not tellen' which. According to these precision calipers from the shores of Connecticut , it'll be okay.

Same here. Butternut yellow can be a bit frustrating, because ANY inclusions really show. I always work from the top of the jar and try to stay off the muddier bottom layer.

Like Aurora's Mako Shark with the spaghetti strap A pillars, their Toronado's pillars are notoriously weak, AND the drip rails are always knackered up. The trick is to get the graft in and let it set up; then put a pretty big gob of material on and stretch it from the cowl up and across the upper drip rail. In the end you need it to be sturdy enough to file, sculpt and buff.

A pillar replacement, a pillar touch up; and drip rail blends on both sides. Over the years, I adapted the roof portion of the program to include a full color blend across the entire roof panel. It's a lot easier to just include the entire roof area as one repair and cut it off at the far ends ends; rather than trying to cut the blend off at the long transition between the roof and the drip edge.



It aint over til it's over. The "glue-bomba" musta sported a chrome big block, cuz lil Johnny used half a tube. Sometimes it takes me a while to get back to a project, for whatever reason. Mostly it was set aside after an exploratory rough buffing, and I just flat out forgot to include it back into the buffing rotation.
The trick here is to loosen the inert tube glue crud (additive) using liquid Testors 3502. The repair area is carefully activated just up to the break point of liquification (creamy), and then the crud is easily picked out like any other dirt. The parent material will simply push away from the trouble spots, and you can pull it back over after removing the offenders; OR re-activate it at a later date, and pull it back after the fact.
As shown in the "Tween" pic, tube glue is nasty stuff. Due to its IN-consistency, it etches the parent surface at varying depths, rather than burning in uniformly like a liquid plastic welder. I learned early on that one typically doesnt get it cleared out on the first pass; so I'll feather the area off, let it re-set and go again another day.
In the end the cleaned hood gets re-activated and brush feathered into a uniform color blend. I may add some additional material initially if things look short. This keeps any added filler within the blend tone, rather than an out right mismatch. After it hardens up, I'll kick it around with the file. On a good day I can paper up and start the color sand in 600. On the occasional bad day, I have to back up to 320. This will now pass for a Cougar.


This Fat Bottomed girl goes back a ways, so the grandyuns had been banging it around some, as a "House Willys". I always work the sanding and picking in as time permits, til I get bored, and then pick it up another day. Some of the blends are bit off around the missing push bar and added flares. There's some schmootz in the blue here and there. Short of a standard Aurora blue plastic overspray, it would never be up to a "color sanded" standard. Although it didnt buff totally clean, I'm giving the overspray a second thought now.


Fode Jay, with a Firebird A-pillar. In my defense, Pontiac or not, it was green, and I had the green open. Sometimes I just fix stuff out of convenience with no particular plan at the moment.


No session ends without some hotrodden'. Many things yet to be decided, but it sits right on an old AJ's pan with spent clamps. I could just nick a sled out of stock, but I like to repurpose nostalgic bits, if I cant use them outright. Funny dat, two days after I mocked this up, my buddy Nuther Dave sent me a picture of a '28 "T"1/24 plastic model for inspiration. Psychic-slotting.




AFX BLUE ..... GRRRRRRR! For you guys that dont know, the blue AFX 55 Belair and 57 Nomads are molded from basically the same blue scuzz that their later notorious G-plus Elf's were. A secret concoction of plastic explosive and sawdust, which produces broken edges as sharp as glass, and large piles of duff.
You can just make out where the drivers side front bumper mount and hood roll broke out right in front. Rather than mix up a batch of the later gen blue, which would likely include the original sawdust and C-4 formulation; I opted for my own blend of T-jet Turquoise and a splooge or two of Standard blue. Straight on, ya can barely tel,l if you didnt know which side of the hood-roll was knocked out.